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KEVIN NOBLE

Studio: 92 Van Dyke St.  Brooklyn, NY 11231

Phone: 917-992-2492     email: linkink@rcn.com

 

EDUCATION:

1975 B.A. Fine Art, State College Buffalo, N.Y. 

1978 MFA in Photographic Studies, Visual Studies Workshop, SUNY at Buffalo. 

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1975-82 member of Hallwalls Gallery, a non-profit artist run gallery in Buffalo NY. 

1977-78 Director of CEPA Gallery, a non-profit photography gallery and workshop in                            Buffalo, NY.

1980-81 documentary photographer The Kitchen, NYC. Photographed dance,                                         performance art and music concerts.

 

SELECTED SOLO EXHIBITIONS:    

2025    New York Irish Center, Long Island City, NY

2002   Glucksman Ireland House, New York University

1999     CEPA Gallery, Buffalo, NY

1999    Féile an Phoblacht, Belfast, Ireland

1991    Panopticon, Irish Arts Center, New York

1987    Frank Bernaducci Gallery, New York

1987    Mednick Gallery, Philadelphia College of Art

1986    White Columns, New York

1981    Envy, The Kitchen, New York

1980    CEPA Gallery, Buffalo, N.Y.

1980    Artists' Space, New York

1979    Media Studies,  Buffalo,N.Y.

1979    The Kitchen, New York

1978    Hallwalls Gallery, Buffalo, N.Y.

1976    Hallwalls Gallery, Buffalo, N.Y.

 

SELECTED GROUP EXHIBITIONS:

2004,  Terrorvision, Exit Art, New York

2003  Settlement, organized by Culture & Conflict Group, Galway Arts Center, Galway 

2002  Settlement, Gallery 400, University of Illinois , Chicago

2000  Ambiguous Authority, Beacon Street Gallery, Chicago

2000  Unlimited Partnerships, Cepa Gallery, Buffalo, NY

1998  Culture & Conflict, British Architecture in Ireland, Puffin Room, New York

1996  When History and Hope Collide,  Grand Central Station, New York

1996  When History and Hope Collide,  Cannon Congressional Office Building, Wash.                       D.C. 

1995  Hallwalls 20th Anniversary,   Burchfield/Penny Art Center, Buffalo, N.Y.

1992   Bloody Sunday Show , Irish Arts Center, New York

1990    Belfast/Beirut, A Tale of Two Cities,  Alternative Museum, NY.

1988     Interiors, Proctor Art Center Bard College, Annandale on Hudson, New York

1984    A Decade of New Art,   Artists' Space, New York

1984    Ecstasy,  Monigue Knowlton Gallery, New York

1983    Hundreds of Drawings, Artists' Space, New York

1981    Contemporary Arts Museum, Houston, Texas

1980    Beau Fleuve,  The American Center, Paris

1980    Five Years: Hallwalls,  The New Museum of Contemporary Art, NY

1979    In Western New York,  Albright-Knox Art Gallery, Buffalo, N.Y.

1977    ART. V.,  Albright-Knox Art Gallery, Buffalo, N.Y.

1976    Buffalo Video,  Anthology Film Archives, New York

1975    Works on Paper,  Hallwalls Gallery, Buffalo, N.Y.

 

FELLOWSHIPS:

1979    National Endowment for the Arts , Artist's Fellowship

1987    National Endowment for the Arts , Artist's Fellowship

 

COLLECTIONS:

    Albright-Knox Art Gallery, Buffalo, New York

    The Burchfield/Penny Art Center, Buffalo, New York

    AtlanticRidgefied Company

    Castellani Art Museum, Niagara University, NY

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TEACHING:    2005-2011  Adjunct Instructor Digital Photography, New York City College of Technology

 

INTERNSHIP:  1977   National Endowment for the Arts Internship, Washington DC.

 

1998-present, founding member of Culture & Conflict Group. Culture & Conflict Group is an artist’s collective formed with the intent to explore the intersection between art and war in contemporary society. Culture & Conflict group has curated four group exhibitions: British Architecture in Ireland, the Puffin Room NYC 1998.

Ambiguous Authority, Beacon Street gallery in Chicago 2000

Unlimited Partnerships, Cepa Gallery Buffalo, NY 2000

Settlement,  Gallery 400, University of Illinois at Chicago 2002,

Settlement,  Eden Place Arts Center, Derry, Northern Ireland January 2003

Settlement,   Galway Art Center, Galway, Ireland, April 2002.

 

2002-2005, member of 16 Beaver Group, an artists collective at 16 Beaver Street, NYC.

 

PUBLIC PRESENTATIONS:

Presentation of paper Cultural Collaboration: Artists in the Service of Big Oil, College Art Association Conference, New York 2007

Panel discussion with Tom Hayden at Glucksman Ireland House, NYU, New York, 2002.    

Presentation and discussion on the work of NSK, an artists collective from Slovenia at 16 Beaver St., 2002.

Presentation and discussion on the Settlement exhibition at 16 Beaver St., 2002.

Slide presentation and discussion The Troubles: Murals in Northern Ireland, The New School, New York 1998 with Bill Rolston, senior lecturer in Sociology at the University of Ulster, Northern Ireland.

PUBLICATIONS:

Making Political Art, Making Art Political Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls, 1996.

Political Aesthetics, War & Peace Fortnight magazine Special Supplement September 2001.

Questioning Subject: An Interview with Conor McGrady, The Thing, online magazine, May 2002.

REVIEWS:

 Vannais, Judy, Cultural Conflict, Fortnight Magazine May 1998 pp28-29.

 Davies, Lyell, Culture & Conflict: British Architecture in Ireland, Circa Magazine          Autumn 1998 p51.

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